“崇高”的解构与重构——莫言文学与中国现代经典崇高美学传统  

The Deconstruction and Reconstruction of "Sublime":Mo Yan's Literature and the Sublime Aesthetic Tradition of Modern Chinese Classics

作　　者：王金胜[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《东方论坛（青岛大学学报）》2017年第3期55-62,共8页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：在"新时期"普泛性的"反崇高"文化语境中,莫言文学有着鲜明而独特的崇高美学品格。在反思经典崇高美学的基础上,莫言重构着属己的崇高话语。一方面,其作品以不同的侧重和形式,承续着经典阳刚美学的某些精神断片和美学气质;另一方面,基于个体文化立场及其对现实的感应,莫言又以独特的入思路径对经典崇高话语进行省思、解构和重构。莫言文学中诸种取向和风格相异的崇高话语犬牙交错,并在历史的变动中,呈现出耐人寻味的含混性与暧昧性。In the cultural context of ＂anti-sublime＂ in the ＂new period＂, literary works by Mo Yah have a distinct and unique sublime aesthetic character. On the basis of reflecting the classic sublime aesthetics, Mo reconstructs his own sublime discourse. On the one hand, his works with different focuses and forms bear some spirit and aesthetic temperament of the classic masculine aesthetics; and on the other hand, based on his individual cultural position and response to reality, Mo conducted reflections, deconstruction and reconstruction of the classic sublime discourse through his unique thinking. Various orientations and styles in his works are complicatedly interwoven, presenting intriguing vagueness and ambiguity amidst historical changes.

关 键 词：莫言文学 崇高 阳刚美学 现代文学传统 新时期文学 

分 类 号：I207.4[文学—中国文学]