法国新艺术运动领军人物赫克托·吉马德作品探析  

A STUDY OF THE NEW ART OF FRANCE REPRESENTING HECTOR GUIMARD'S WORKS

作　　者：张以达 吴卫[1] 

机构地区：[1]湖南工业大学包装设计艺术学院

出　　处：《设计》2017年第13期26-29,共4页Design

摘　　要：赫克托·吉马德是法国新艺术运动的领军人物,他善于应用新形式、新材料和新技术,体现了其突破传统的渴望和勇气;吉马德强调摒弃传统的建筑样式,赋予现代建筑以新的形式,提倡朴实自然的装饰风格;巴黎地铁口成为法国新艺术运动的标志,也是吉马德个人风格的集大成者;在家具设计上,吉马德欣赏可塑性的家具形象,他利用新工艺塑造了至今闻名于世的梨木咖啡茶几;吉马德是提倡"总体艺术"的先驱之一,强调作品的实用功能与美学功能的和谐统一,他的设计风格自成一派,形成了"吉马德风格"。Hector Guimard is the leading man in French New Art Movement. He is good at using new forms, new materials and new technology, which reflects his desire and courage to break through the traditional style. Guimard insists to give new form to modern architecture instead of the traditional architectural style, And he advocates the natural decoration style. The subway entrance in Paris is the symbol of the French New Art Movement, which is also a masterpiece of him. In furniture design, Hector appreciated the image of plastic furniture. He used the new technology to shape the well-known pear wood coffee table. He is one of the pioneers of the art of ＂general＂ emphasis on the harmony of the practical function and the aesthetical function, His design style is sui generis, called ~Guimard Style＂.

关 键 词：赫克托·吉马德 新艺术运动 总体艺术 地铁风格 可塑性 

分 类 号：TU-86[艺术—艺术设计]