比利时新艺术代表人物维克多·霍尔塔作品探析  

STUDY ON THE WORKS OF VICTOR HORTA AS A REPRESENTATIVE OF ART NOUVEAU IN BELGIUM

作　　者：顾彦力 吴卫[1] 

机构地区：[1]湖南工业大学包装设计艺术学院

出　　处：《设计》2017年第13期36-38,共3页Design

摘　　要：维克多·霍尔塔是比利时新艺术运动的杰出代表,他早年曾在巴黎留学,受到点彩派风格的影响,回国后比利时御用建筑师巴拉特向他传授了新古典主义的建筑设计手法,参加工作后他马上投入了新艺术运动的怀抱;霍尔塔提倡师法自然,喜用葡萄藤蔓般相互缠绕和螺旋扭曲的"鞭线",强调建筑风格的自由;在建筑上他提出整体与局部应互相联系,从室内设计的角度来看,霍尔塔完成了结构和装饰的统一,从色彩方案的搭配和选择来看,霍尔塔同样完成了建筑与材料的统一;霍尔塔是一位很注重建筑实用性和功能性的设计师,他认为功能影响了形式,同时形式也丰富了功能;维克多·霍尔塔不仅是比利时新艺术运动的建筑大师,更代表了整个欧洲新艺术建筑设计的最高峰。Victor Horta was an outstanding representative of Art Nouveau in Belgium. He studied in Paris in his early years and he was influenced by the style of Divisionism. After he returned, Alphonse Balat, an imperial architect, taught him the techniques of neoclassical architectural design. He fell to the arms of Art Nouveau after he began to work. On the one hand,he advocated learning from nature,and enjoyed using the ＂whip line＂ ,like the grape vines,which entwine each other, on the other hand,he emphasized the freedom of architectural style. In the field of architecture, he suggested that the whole and the parts should be related each other. From the point of view of interior design, he completed the relation of the structure and decoration, and from the collocation and selection of color schemes, he also completed the relation of the architecture and materials. He was an architectural designer who paid attention to the practicability and functionality extraordinarily. He believed that functions affected forms, and forms also enriched functions. Victor Horta was not only a Belgian master of Art Nouveau building,but also represented the peak of Art Nouveau architectural design throughout Europe.

关 键 词：新艺术运动 维克多·霍尔塔 “鞭线” 整体与局部 形式与功能 建筑设计 

分 类 号：TU201[建筑科学—建筑设计及理论] TU-86[艺术—艺术设计]