反思 表达 创新——从《精卫》《唐婉》《长恨歌》看万素舞剧创作的审美特征  

Rethinking,Expressing and Innovating: The Aesthetic Characteristics of Wansu's Creation in Dance Dramas Jingwei,Tangwan and Changhenge

作　　者：侯文靖[1,2] Hou Wenjing

机构地区：[1]北京舞蹈学院继续教育学院 [2]南京艺术学院

出　　处：《民族艺术研究》2017年第3期206-211,共6页Ethnic Art Studies

基　　金：国家艺术基金2016年度资助项目"全国舞蹈艺术理论及评论人才培养"结业成果~~

摘　　要：国家一级编导、北京舞蹈学院万素教授创作的舞蹈作品达百余部,涉及大量不同的题材,呈现出多种风格,既包括传统叙事性的舞剧创作,又包括关注现实并具有拼贴化等现代艺术风格的舞蹈创作。但在艺术风格丰富性的表象下,她的创作有其自身恒定不变的原则,即注重个体言说的艺术表达,同时开创性地组织素材、调动技术,其目的就是为了完成她在作品中对现实世界的深刻反思与创作主体的艺术表达。本文以其创作的三部舞剧作品《精卫》《唐婉》《长恨歌》为研究对象,通过对作品文本细读与艺术风格研究,透视出万素舞剧创作的审美特征:主体言说的创作表达;实验性的创作实践;人本主义的创作情怀。Wansu, the national first grade choreographist and Professor of Beijing Dance Academy, created hundreds of choreographic works which concern a large number of themrs. These works include not only tra- ditional narrative choreographic creation, but also modern artistic choreographic works concerning reality, such as the collage. Under the appearance of diverse artistic styles are stable creation principles： emphasis on the artistic expression of individual narratives and creative organization of materials and technologies with the aim of rethinking deeply the real world and artistically expressing the creative subject in her works. This paper, based on three dance dramas Jingwei, Tangwan and Changhenge, investigates the aesthetic charac- teristics of Wansu＇s dance drama creation through a study of the text and its artistic style： the creation ex- pression of the subjective narrative, the experimental creation practice and the humanistic cieation feelings.

关 键 词：万素 舞剧创作 审美特征 艺术表达 

分 类 号：J705[艺术—舞蹈]