从国际饭店到吴同文住宅——邬达克现代派建筑中的装饰风格研究  

From Park Hotel to The House of D.V.Woo:Study on Decorative Style of Hudec's Modern Architecture in Shanghai

作　　者：左琰[1] 刘春瑶 刘涟[1] 

机构地区：[1]同济大学建筑与城市规划学院

出　　处：《建筑师》2017年第3期43-50,共8页The Architect

基　　金：国家自然科学基金项目(编号:51278341)

摘　　要：本文对上海20世纪30年代匈牙利建筑师邬达克(L.E.Hudec)的现代派建筑装饰风格进行了研究,从他的三个代表作——国际饭店、大光明电影院和吴同文住宅入手,深入剖析建筑师设计风格的形成因素以及风格转型的趋势特征,并在此基础上探讨了以上作品中神秘装饰符号背后的象征意义,以期更好地理解邬达克现代派作品中装饰风格的复杂性与矛盾性。This thesis focuses on decorative style of Hungarian architect Hudec＇s modern architecture in Shanghai during the 1930s. Through case study on three well-known projects designed by Mr. Hudec, - Park Hotel in 1933, Grand Theatre in 1933 and the House of D.V.Woo in 1938, the thesis tries to analyze deeply the forming factors of his architectural style as well as trend features of style transformation. Later further reading and discussing on mysterious decorative signs adopted in two of three cases are made in order to .let the public better understanding on complexity and contradiction throughout Hudec＇s modern architectural works.

关 键 词：邬达克 现代派建筑 20世纪30年代 国际饭店 吴同文住宅 

分 类 号：TU238[建筑科学—建筑设计及理论]