物我之境 朱锫建筑作品的向度  

A Place in between Object and Self Various Dimensions of Zhu Pei's Works

作　　者：李翔宁[1] 

机构地区：[1]同济大学建筑与城市规划学院高密度人居环境生态与节能教育部重点实验室

出　　处：《时代建筑》2017年第3期162-167,共6页Time + Architecture

摘　　要：在德国柏林AEDE5当代建筑中心举办的个展中,展示了朱锫的5个在建作品的模型与草图。在文章中,作者通过对这些作品的解读,分析了朱锫作品中对中国文化的呼应,不是对传统空间类型、建筑符号和传统材料的简单挪用,而在于从传统中国建筑中对待自然、文脉、使用者和建造者的态度出发,尊重和发掘场地要素,经过建筑学意义的转化,达到心灵景观与文化景观、自然景观、社会景观的叠合。Held at the Aedes Architecture Forum in Berlin,Germany,Zhu Pei’s solo exhibition showcased models and drawings of five projects by him that are currently underway.In this essay,the author interprets the works,and considers the ways of which achieve the resonance with Chinese culture,not in terms of simply appropriating traditional spatial typology,architectural symbols and traditional materials,but of a place generated by overlapping spiritual and cultural landscape,natural landscape,and social landscape.

关 键 词：建筑师朱锫 建筑展览 物我之境 传统的转化与再现 

分 类 号：TU-86[艺术—艺术设计] G245[建筑科学—建筑设计及理论]