中国传统七夕节文化在日本的传播与演变  

The Spread of Traditional Chinese Double Seven Festival Culture in Japan

作　　者：邱丽君[1] 

机构地区：[1]河南农业大学外国语学院日语系

出　　处：《中州学刊》2017年第6期85-89,共5页Academic Journal of Zhongzhou

基　　金：河南省科技厅软科学项目"中原经济建设视域下中原文化的传播与传承--以日本为例"(172400410308)

摘　　要：隋唐时期传入日本的中国传统节日七夕节在日本经历了脱落、遗失、添补的发展过程,期间融合日本文化、风俗习惯形成了一个更符合日本文化传统的七夕节。在文化的吸收、演变、融合中,日本人着眼于保留本国的主要制度及价值标准,从而使日本的七夕文化不仅成为日本传统文化的鲜明标记,而且让以仙台为主的多个日本城市走出了严重的经济危机。中国的七夕文化之所以在日本得以传播和传承,与日本在经济、政治、文化等方面对中国七夕文化的认同和需求有着密不可分的联系。In Sui and Tang Dynasties,the traditional Chinese Double Seventh Festival was introduced into Japan,where it wit-nessed the process of being cast off,lost and finally supplemented. Meanwhile,by fusing with the local Japanese culture and customs, the festival has gradually evolved into what Tanabata is today. In the process of assimilation,evolution and fusion of the festival,with the aim at retaining their own system and value standards,the Japanese succeeded in transforming it into their own traditional culture with Japanese characteristics,and saving the several big cities such as Sendai from the prevalent economic crisis as well. The fact that Chinese Double Seventh Festival has been spread and inherited in Japan,is closely connected with the truth that Japan,economically, politically and culturally as well,has approval of and demand for Chinese Double Seventh culture.

关 键 词：五色短册 日本七夕节 牛郎织女 

分 类 号：K893[历史地理—民俗学]