邯郸淳《笑林》与“笑林体”文体独立的示范意义  

Demonstration significance of indeendent writing style shown by Xiaolin style and Handanchun

作　　者：乔孝冬[1] 

机构地区：[1]金陵科技学院人文学院,江苏南京210038

出　　处：《蒲松龄研究》2017年第2期150-160,共11页Study on Pu Songling

基　　金：2016年度教育部人文社会科学研究规划基金项目"中国古代谐谑小说研究"(项目编号:16YJA751018)

摘　　要：邯郸淳让笑话从寓言和史传中独立出来,《笑林》被归入"轶事小说"的"笑话类","笑林体"被《四库全书总目提要》称为"小说家有此格也",就中国古代小说史而言,《笑林》标志着中国古代小说的文体独立,邯郸淳是小说史上第一人,《笑林》"为赏心而作"和"戏而不谑"的创作手法和科诨尺度也成为后世笑话的基本范式,《笑林》与"笑林体"的文体独立示范意义在小说史上具有重要的意义与价值,理应受到应有的关注。Handanchun made jokes and fables indeendent from historical bi- ograhy. Xiaolin（Book of Jokes）was classified as ＂Jokes＂ under ＂Anecdotes＂. Xi- aolin style was honored as ＂the style of the novelist＂ by Sikuquanshuzongmu- tiyao（General Catalogue of Si Ku Quan Shu）. In the history of Chinese ancient novels, Handanchun was the first erson to mark the indeendence of joke from ancient novel with his Xiaolin. The later basic model of writing jokes comes from Xiaolin style＇s ＂write for leasure＂ and ＂humorous but not abuse＂. Xiaolin and Xiaolin style deserve the attention with the demonstration significance made by the indeendent writing style.

关 键 词：小说史 文体史 文体独立 笑林 示范意义 

分 类 号：I207.41[文学—中国文学]