传入日本的宋代剔彩漆器及其名谓考析  

The Treasures of polychrome carved Lacquer from Song China and its Appellation in Japan

作　　者：何振纪[1] 

机构地区：[1]中国美术学院设计艺术学院,浙江杭州310024

出　　处：《南京艺术学院学报（美术与设计）》2017年第4期63-68,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：杭州市哲学社会科学规划课题"域外流传南宋漆器珍宝调研"(B14WH08);杭州市社科规划"杭州中外交流历史文化研究"专项重点课题"海上丝路与杭州漆器文化的对外传播"(2016WSJL5)研究成果

摘　　要：雕漆是中国古代的独特创造,是极具中国特色的文化艺术遗产。自唐代以来,中国的雕漆艺术蓬勃发展。其中的剔彩工艺在宋代已经达到了臻致完善的程度。然而,有关中国宋代剔彩漆器方面的相关研究在国内的漆艺史学界受到的关注尚不多见。本文便借助流传于日本的珍贵宋代剔彩漆器资料以及诸种古代文献所提及到的相关记录,对宋代剔彩漆器的状况进行观察,并对中国剔彩漆器名称在日本的变化展开探究。Diaoqi(Carved lacquer) is not only ancient Chinese people's unique creation,but also one of the most artistic relics in the lacquer art history.Diaoqi has been flourish more than one thousand years since Tang dynasty.As one type of Diaoqi,Ticai(polychrome carved lacquer) of Song dynasty is remarkable for its beauty and delicacy.However the focus of long-standing academic research focuses on the Diaoqi,the Ticai research is weak.According to the Diaocaiqi materials of Song dynasty treasured in Japan and classic records that have been collected,this essay has described the general situation of the Ticai from China to Japan and its change of appellation.

关 键 词：宋代漆器 剔彩 日本 名谓 

分 类 号：J509[艺术—艺术设计]