论汉代骚体赋对楚辞文体的接受  

On the Acceptance of Chu's Poem Style in the Sao Type's Fu of Han Dynasty

作　　者：王亚萍[1] 

机构地区：[1]湖北美术学院公共课部,湖北武汉430200

出　　处：《北京科技大学学报（社会科学版）》2017年第3期83-89,共7页Journal of University of Science and Technology Beijing(Social Sciences Edition)

基　　金：安阳市社科联课题<汉魏中原作家群体咏物赋研究>;课题编号:ASKG16418

摘　　要：骚体赋和散体赋是汉代赋体文学的两种最重要体式,在汉代漫长的历史发展过程中,骚体赋与散体赋、乐府五言诗又交互影响、互相浸染,形成骚散相兼体赋。汉代骚体赋摒除其祭祀意味,继承其幽愤情怀,以悼念屈原和抒发个人怀才不遇、生不逢时的悲慨为主,在文学发展史上第一次表现出赋与道家精神的结合,在深层次上实现道家思想在"独尊儒术"背景下的曲胜。Sao type＇s Fu and Han Fu are the two most important forms of Fu literature in the Han Dynasty. At the same time, in the long historical development of the Han Dynasty, the poem of Fu of Sao and Fu and the poem of Yuefu five-character poem interacted with each other, forming the Sao type＇s Fu and Han Fu. The Sao type＇s Fu removed the ritual meanings, and inheri- ted Chu Ci＇s grief feelings in order to mouIn Qu Yuan and express personal underappreciated and ungraceful sadness mainly. In the history of literary development for the first time the combination of Fu and Taoist was showed.

关 键 词：骚体赋 楚辞 《九歌》体 《离骚》体 

分 类 号：H0[语言文字—语言学]