宋代无名氏词中首见词调之考辨  

Textual Research on the Original Tonal Patterns and Rhyme Schemes in the Anonymous Ci Poetry in the Song Dynasty

作　　者：刘尊明[1] 

机构地区：[1]深圳大学人文学院,广东深圳518060

出　　处：《徐州工程学院学报（社会科学版）》2017年第4期54-60,共7页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社科基金项目"以词调为中心的唐宋词体与词史研究"(12BZW035)的阶段性成果

摘　　要：宋代无名氏词共计1590首,共用306个词调,除188调为沿用唐宋已有的旧词调外,为宋代无名氏所用的新词调共118调,其中77调为孤调,41调为首见之调。文章主要考辨《全宋词》据《梅苑》所收宋代无名氏词中的12个首见词调,即:《泛兰舟》《十月梅》《双头莲1》《东风第一枝》《早梅芳》《月上海棠》《捣练子2》《太常引》《西地锦》《踏歌》《玉楼人》《寻梅》,皆作于北宋,均为首见或创调,早于其他词人同调之作,反映了宋代无名氏词人为词调繁衍和词史发展所做出的贡献。In the Song Dynasty, there were a total of 1590 pieces of anonymous Ci poetry, with 306 tonal patterns and rhyme schemes. In addition to the 188 old tones used in the Tang and Song Dynasties, 118 new tones were created by the anonymous Ci poets, among which,77 were sole and 41 were original. This article mainly examines the 12 original tonal patterns and rhyme schemes in the Entire Ci Poetry of Song Dynasty based on Mei Yuan , namely, FanLanZhou, ShiYueMei, ShuangTouLian 1, DongFengDiYiZhi, ZaoMeiFang, YueShangHaiTang, DaoLianZi 2, TaiChangYin, XiDiJin, TaGe, YuLouRen, and XunMeiln. All of the above were originally created in the North Song Dynasty, earlier than any other Ci poetry with the same tone patterns,which just presented the contributions the anonymous Ci poets of Song Dynasty made to the reproduction of the tonal patterns and rhyme schemes as well as the historical development of Ci Poetry.

关 键 词：宋代 无名氏词 首见词调 创调 考辨 

分 类 号：I206.2[文学—中国文学]