红色记忆中的“广州形象”——论欧阳山长篇小说《三家巷》  

“Image of Guangzhou”in Red Memory——On Ou Yangshan's Long Novel The Three Families Alley

作　　者：周会凌[1] 

机构地区：[1]广东第二师范学院中文系,广东广州510303

出　　处：《广东第二师范学院学报》2017年第4期40-45,共6页Journal of Guangdong University of Education

基　　金：广州市2014年哲学社会科学发展"十二五"规划课题"当代城市文学中的广州形象"(14G55)

摘　　要：欧阳山的长篇小说《三家巷》是展现红色记忆中的"广州形象"的独特作品,小说对上世纪20年代南方红色革命斗争进行了史诗性书写,呈现出作家对于广州这一城市文化空间的独特诠释。作品表现出对红色记忆中的"城市革命"历史的全景展示,逸出时代语境与主流革命话语局限的爱情书写,以及岭南文化观照下的日常生活美学呈现的特点,使之塑造的"广州形象"成为中国现当代文学中具有多重审美形态的广州叙事与众多读者记忆中最为经典的形象之一。Ou Yngshan9 s novel The Three Families Alley is a piece of extraordinary work that presents the “image of Guangzhou” in red memory. Apart from an epic depiction of southern red revolutionary struggles in 1920s,it also presents the author ’ s unique explanation of Guangzhou - an urban cultural space. With a thorough depiction of histories about “ urban revolutions” in red memory, it portrays love in the context of that era and under rhetoric constraints of mainstream revolutions. Furthermore, it aesthetically presents everyday life full of Linnan cultures,in order that the shaped “ image of Guangzhou ” could be one of the most classical images in Guangzhou narrations in multiple aesthetic forms and numerous readers ’ memory in modern and contemporary Chinese literature.

关 键 词：《三家巷》 广州形象 红色记忆 

分 类 号：I206.7[文学—中国文学]