“泥金彩漆”史实辨析  

Clarification on Some of the Facts on "CLPWGCD"

作　　者：江崖[1] 

机构地区：[1]杭州师范大学美术学院,浙江杭州311121

出　　处：《美育学刊》2017年第4期23-26,共4页Journal of Aesthetic Education

摘　　要：宁波"泥金彩漆"自非物质文化遗产申报工作开展以来,相关的文献越来越多,对传播"泥金彩漆"文化起到积极的促进作用,但其中有些观点值得商榷,故就泥金彩漆"明宣德年间闻名中外"的历史,"沉花""平花""浮花"三大工艺分类的学说,以及2009年日本奈良宁波特展上的长命富贵黑漆箱"将宁波泥金彩漆历史往前推了数百年"等说法展开讨论。Since the beginning of Intangible Cultural Heritage application work for Ningbo ＂ Colorful Laquer Painted Ware with Gold-coated Clay Decorations＂ , more and more relevent literature has appeared, which plays an active promoting role in spreading the culture of ＂ CLPWGCD＂. However there is still some room for further clarification on the views from some of this literature. This research effort aims at putting forward my points of view on some of the ＂ CLPWGCD＂ facts. For example, the historical fact that ＂ CLPWGCD＂ was well-known at home and abroad in the period of Xuande emperor, Ming dynasty; the doctrine of the three technological classifications of ＂ Pattern under Transparent Paint＂ , ＂ Planar Pattern＂ and ＂ Embossment Pattern＂ ; and the conclusion made in a newspaper report that ＂ the history of Ningbo ＂ CLPWGCD＂ could be traced back for several hundred years＂ and on the emergence of the black laquer case named Longevity with Wealth and Honor at the special exhibition for Ningbo Products in Japanese Nara in 2009, etc.

关 键 词：泥金彩漆 描金漆器 工艺 

分 类 号：J527[艺术—艺术设计]