当代雕塑的观念化  

Conceptualization of Contemporary Sculpture

作　　者：彭博[1] 

机构地区：[1]长江师范学院美术学院

出　　处：《天津美术学院学报》2016年第8期106-108,共3页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：我们对于当代雕塑的诸多描述,例如"泛雕塑""装置化的雕塑""跨界雕塑"等等,很大程度上只是基于形式因素和物理形态来进行的,这或许与现成品在当代雕塑中的普遍运用有关,但当代雕塑的核心价值与本质特征却不在于是否使用现成品,而是在于它的观念化倾向。Many of the words we have used to describe contemporary sculptures, such as ＂pan-sculpture＂, ＂installation-oriented sculpture＂, ＂interdisciplinary sculpture＂, are largely based on formal factors and physical form. It perhaps has something to do with the widespread use of ready-made in contemporary sculpture. However, the core value and essential character of contemporary sculpture lies not in the use of ready-made, but in its trend of conceptualization.

关 键 词：当代雕塑 观念 现成品 

分 类 号：J305[艺术—美术]