从《降临》看好莱坞科幻片的反类型策略  

On the Anti-type Strategy of Hollywood Science Fiction Film Arrival

作　　者：孙小媛[1] 

机构地区：[1]四川师范大学影视与传媒学院,四川成都610068

出　　处：《四川文理学院学报》2017年第4期76-80,共5页Sichuan University of Arts and Science Journal

摘　　要：科幻电影作为类型影片的一种,因其独特的叙事和美学特征而深受观众喜爱。好莱坞科幻电影的制作致力于视觉奇观的打造和固定化的叙事模式,而最近的《降临》不论是从镜像风格还是叙事方式上都对传统好莱坞科幻电影进行了反叛。可以从视听层面和叙事层面探讨传统好莱坞的固有模式以及《降临》是如何反类型叙事的。Science fiction films are loved by the audience because of their unique narrative and aesthetic features. Hollywood science fiction film is committed to the visual wonders of the creation and immobilization of the narrative model.Arrival is against traditions in the shot language and narrative style. The paper explores the traditional Hollywood＇s inherent model and how Arrival is anti-- type narration.

关 键 词：《降临》 科幻类型 反类型 

分 类 号：I106.3[文学—世界文学] J905[艺术—电影电视艺术]