在娱乐中“表现真实的人生”——论杨逵的戏剧观  

Entertainment to "Represent Reality":Yang Kui's Views on Drama

作　　者：吴彬[1] 

机构地区：[1]安庆师范大学文学院

出　　处：《戏剧艺术》2017年第4期69-79,38,共12页Theatre Arts

基　　金：2013年教育部人文社会科学研究青年基金项目"中华剧艺社演出史论"(项目编号:13YJC760090);2015年安徽省高等教育振兴计划"专业结构优化调整与专业改造(表演)"(项目编号:2015zytz077)阶段性成果

摘　　要：杨逵是台湾地区现代文学的一面旗帜。他的剧作是唤醒民众鼓舞民众的精神食粮,是彰显民族意识的一把利器。杨逵以其创作实绩丰富了台湾戏剧文学,更以其广见博识对戏剧功能和舞台演出提出了宝贵意见与建议。杨逵认为,戏剧的功能就是找乐子,表现真实的人生。前者源于他对中国文化语境的感性认知,后者则是出于一个新文化者的理性自觉。就舞台演出而言,杨逵主张杜绝检场现象,净化剧场空间,布景要以写实为主,布景写实,"真"是标准。这一切最终归结于他一直坚守的草根立场和劳动者本位。Yang Kui is a standard-bearer in modern Taiwan Residents literature. His drama is a kind of spiritual nutrition that encourages and awakens the people, and it is a weapon to fight for national consciousness. Yang Kui has enriched dramatic literature in Taiwan with his playwriting, and provided valuable advice on theatrical function and stage performance with his wide range of knowledge. Yang believes that the functions of drama are to entertain and to represent reality. The former derives from his perception of Chinese cultural context, the latter from the rational consciousness of a new culturalist. Yang is against the conventional stage-setting, and advocates for the purification of the theatrical space. He supports realistic settings and takes ＂truth＂ for a criterion. His theories are based on his grassroots stance and viewpoint of the laborer.

关 键 词：找乐子 为人生 写实 

分 类 号：J80[艺术—戏剧戏曲]