古代戏曲理论中戏曲史述的逻辑演进及学术特征  

The Logical Evolution and Academic Characteristics in the Narration of the History of Xiqu in Traditional Chinese Theories

作　　者：黄静枫[1] 

机构地区：[1]上海戏剧学院戏剧与影视学博士后流动站

出　　处：《戏剧艺术》2017年第4期98-108,共11页Theatre Arts

摘　　要：在"曲学"大行其道之时,戏曲史述被简化为曲史述;伴随戏曲作为叙事文学样式和综合艺术样式这两种观念的渐次清晰,"叙事理论体系"和"剧学体系"逐步形成,戏曲题材沿革和历代演剧更迭的梳理开始出现。同时,作为舞台艺术之戏曲的部分要素的流变也获得专门关注。古代戏曲理论中的戏曲史述具有零散驳杂、不成体系和陈陈相因、粗线勾勒的学术特征。古人戏曲史述历史对象的多样性有助于全面认识戏曲的本体内涵,而单一维度史述为后世戏曲史研究的纵深拓展提供了方向性指导。此外,历代舞台演剧更迭的勾勒对现代形态戏曲史著的述史思路设计也具有启发意义。During the time when the study of qu （music） was prevailing, the narration of the history of Xiqu in China was simplified to that of qu. When Xiqu was more lucidly defined as a narrative literary style and comprehensive artistic style, ＂the system of narrative theories＂ and ＂the system of Xiqu studies＂ were gradually formed, and reviews of the evolution in the themes of Xiqu and of the historic changes in performance began to appear. Meanwhile, special attention was paid to some artistic elements of Xiqu. The narration of history in ancient Xiqu theory was randomly scattered, unsystematic, deficient in innovation, and rather rough. The range and diversities that Xiqu history covers provide an all-inclusive perspective for understanding Xiqu. The single-dimensional narration guides the in-depth research on Xiqu history in later generations. Besides, a sketch of the changes in historic theatres offers inspirations to the narration of a modern historiography of Xiqu.

关 键 词：古代戏曲理论体系 戏曲史述 曲源流史 演剧史 粗线勾勒 

分 类 号：J80[艺术—戏剧戏曲]