佛曲《频伽音》([叫街声])研究  

Buddhist Music Pin Jia Yin and “Peddler's Call”: A comparative study

作　　者：袁静芳[1,2] 

机构地区：[1]中央音乐学院音乐学系 [2]中央音乐学院佛教音乐文化研究中心

出　　处：《星海音乐学院学报》2017年第3期5-19,共15页Journal of Xinghai Conservatory of Music

基　　金：教育部人文社会科学研究基金项目“诸佛世尊如来菩萨尊者名称歌曲”(13JJD760004)

摘　　要：文章对明永乐十五年(1417)成祖朱棣主持编辑的佛教歌曲集《诸佛世尊如来菩萨尊者名称歌曲》中的《频伽音》与清代《九宫大成南北词宫谱》中的10首[叫声]曲牌的词格结构、句式类别进行了分析,总结了《频伽音》与[叫声]的结构特点,认为我国民间大量的"叫声""叫街声"的传承形成了一个庞大的乐目家族。这一家族超越了必须以某一旋律维系与贯穿的原则,而以演唱功能和职业特征作为乐目家族维系的标准。由《频伽音》衍变的众多佛教歌曲《弘利益之曲》,显示了悠久的历史传承,承载了丰厚的民间音乐资源,更为重要的是反映了编创者理念上的开放性及其佛曲编创的创新性。This article analyzes the song titled Pin Jia Yin collected in the imperial edition of The Book of Odes to Buddha -Bodhisatta the Most Respectful in Zhu Di＇ s reign in 1417, in comparison to the lyrics forms of the ten tunes labelled Peddler＇ s Call in the Complete Collection of Southern and Northern Ci - Songs with Musical Notation. By summarizing the structure of both, it concludes that, as a folk tradition, the peddler＇ s calls existing widely in China have formed a complex song -fami- ly, maintained by the criteria of its calling - advertising functions rather than the conventional princi- ple of identical melodies. It further signifies that many of the new Buddhist songs titled ＂Song of the Public Benefit＂ are created with adaption from Pin Jia Fin, displaying its deep historical root, rich folk musicality, and its creator＇ s open conception and creativity in the development in Buddhist music.

关 键 词：《频伽音》 [叫街声] 《弘利益之曲》 圣号 

分 类 号：J607[艺术—音乐]