十二木卡姆研究综述(1949—2015)(二)  

Summary of The Twelve Muqam Study

作　　者：韩芸霞[1] 肖学俊[1] 

机构地区：[1]中央音乐学院,北京100031

出　　处：《新疆艺术学院学报》2017年第2期1-10,共10页Journal of Xinjiang Arts University

基　　金：教育部人文社会科学重点研究基地2008年度重大项目"中国新疆木卡姆研究"(08JJD760084)部分成果

摘　　要：本文综述范围及对象是:中华人民共和国建国至2015年间,以汉文公开出版的,研究、整理十二木卡姆或内容涉及到十二木卡姆的专著或著作、论文集(1),公开出版的十二木卡姆乐谱集,在公开出版的汉文期刊上发表的有关十二木卡姆的论文(2)。共收集、甄选出专著6部,相关著作41部,乐谱集4部,发表于期刊或论文集中的文论500余篇。分别从十二木卡姆的形成与发展研究,语义与概念研究,地位及其功能与审美研究,本体研究,表演艺术研究,比较研究,保护、传承与发展研究等7个方面进行综述,最后谈几点认识。The scopes and targets of this article are monographs, works and collections of essays sine 1949 to 2015, which were published in Chinese and studied and reorganized or related to the Twelve Muqam; collections of music of the Twelve Muqam which were published; essays on the Twelve Muqam in published Chinese journals. It collects and selects 6 monographs, 41 works, 4 collections of music and some 500 essays which were published in journals or collections of essays. It states the study Of formation and development of the Twelve Muqam, semantic and concepts, status and its function and aesthetics, body, performance art, comparison, protection inheritance and development and it also puts forward some point of views.

关 键 词：维吾尔族 十二木卡姆 研究 综述 

分 类 号：J607[艺术—音乐]