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作 者:徐佳[1]
出 处:《浙江理工大学学报(社会科学版)》2017年第4期342-349,共8页Journal of Zhejiang Sci-Tech University:Social Sciences
基 金:广西研究生教育创新计划资助项目(YCSW201718)
摘 要:时间和空间是人类认知的基本范畴。昆曲作为中国古典戏剧的"最高典范",其曲词语言空间独具中国韵味。文章依据时空参照框架,以《桃花扇》为语料,探讨昆曲曲词语言特色背后的认知机制。研究发现,时空参照框架下昆曲曲词语言构建背后实质存在三重语言空间(具身语言空间、离身语言空间和复合语言空间),且每重语言空间的构建实质是在特定认知主体对多维度认知视域的选择后,多以隐喻式思维对客观物理空间的具身认知加工而形成。文章从时空参照框架视角揭示了昆曲曲词语言构建背后认知机制的复杂过程,不仅深化了原文赏析视域,更为其进一步传播提供了认知理据。Time and space are the basic cognitive categories of human being.Kunqu opera is the"most distinctive type"among Chinese classic drama types,and its lyrics and language space are of unique Chinese charm.This paper is intended to discuss the cognitive mechanism of language features of lyrics in Kunqu Opera by case study of The Peach Blossom Fan based on tempo-spatial reference framework.The research findings show that the lyrics in Kunqu Opera under tempo-spatial reference framework essentially have 3layers of language space(embodied language space,disembodied language space,and combined language space),and each layer is constructed by processing embodied cognition of the objective physical space with metaphorical thinking after specific cognitive subject selects the multidimensional cognitive views.This research elucidates the complex construction cognition process of lyrics in Kunqu Opera from the perspective of tempo-spatial reference framework,which does not only deepen the view of appreciation and analysis,but also provides a cognitive basis for its further spreading.
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