美学、经济与意识形态图景的改变(1930-1945)  

The Changes of Aesthetic,Economic and Ideological Prospect(1930-1945)

作　　者：马可.科索里尼 鲁楠[1] 

机构地区：[1]法国新索邦巴黎第三大学戏剧研究所

出　　处：《戏剧（中央戏剧学院学报）》2017年第4期5-14,共10页Drama:The Journal of the Central Academy of Drama

摘　　要：20世纪初法国戏剧的商业化达到鼎盛状态,通过当时作为商业产品的戏剧日报《戏剧》的兴衰转变,将由此联系并折射出一系列重要事件带来的影响:战后精神状态、经济危机、新媒体的产生、体育赛事的流行、以及集权国家的政治意识形态等因素对戏剧环境产生的影响。在第二次世界大战时期,戏剧活动在人民阵线的方针与维希政权的统治下,在不同的政治意识形态中得以继续活跃地发展,尤以"卡特尔"团体为代表的艺术戏剧的实践活动为最。与此同时,社会上也日益出现了公众戏剧运动的呼声。In the early 20th century, French theater has reached its climax of commercialization, leading to the rise and fall of a daily theatre newspaper, a commercial product, Comcedia, echoing a succession of important changes under the influence of postwar mentality, economic crisis, new media, prevailing of sports and the theatre environment shaped by political ideology of centralized power. During World War II, policies for the front to people and Vichy regime promoted theatrical activities in different political ideology, featured by the practice of ＂Cartel＂ group. Meanwhile, theater for public was gaining increasing popularity.

关 键 词：大众文化 集权政治 人民阵线 维希政权 卡特尔 公众戏剧 

分 类 号：J809.565[艺术—戏剧戏曲]