重估白马湖散文精神与朱光潜美学思想的奠定  

To Revaluate the Prose Spirit of the “White Horse Lake Writers Group” and the Foundation of Chu Kwang-tsien's Aesthetic Thought

作　　者：朱仁金[1] 

机构地区：[1]四川美术学院,重庆401331

出　　处：《西南政法大学学报》2017年第3期119-128,共10页Journal of Southwest University of Political Science and Law

基　　金：重庆社科规划博士基金项目"比较美学视野下的朱光潜及其当代阐释"(2015BS094);重庆艺术科学研究规划重点项目"历史转型期的朱光潜:艺术生存与审美建构"(16ZD009)

摘　　要："朱光潜热"已成为学术研究的一个重要增长点,但与之不相称的是,对于朱光潜"如何走上美学之路"的问题,却始终语焉不详或含糊其辞。造成这种现象的原因是多方面的。朱光潜的美学思想在曲折复杂的历史境遇中经历过"两期三阶段"的发展,纵览其思想脉络,有一套清澈隽永而又自然畅达的话语方式和价值坚守一直贯穿其中,奠定了朱光潜美学最突出的精神特质和审美底蕴,这就是白马湖散文精神。通过澄清朱光潜思想的美学起点问题,不仅有利于推进和完善朱光潜研究的整体性,同时对于重估白马湖散文流派在中国美学史上的重要地位也是有积极意义的。The hotspot of Chu Kwang-tsien has become an important growth point of academic research,but ＂how Chu Kwang-tsien started aesthetics study＂ is always vague. There are many reasons for such phenomenon. Although his aesthetic thought experienced the development of ＂three stages in two periods＂ in the complex historical circumstances,for which there was still a clear、meaningful and natural mode of discourse and insistence on value laying a foundation of the most prominent peculiarity and aesthetic connotation. That was the prose spirit of the ＂White Horse Lake Writers Group＂. To clarify the starting point of Chu Kwangtsien＇s aesthetic thought,it is not only beneficial to promote integrality of the research about him,but also positive for revaluating the place of the ＂White Horse Lake Writers Group＂in the modern history of Chinese aesthetics at the same time.

关 键 词：朱光潜 美学起点 白马湖散文精神 话语方式 价值坚守 

分 类 号：I056[文学—文学理论]