布袋木偶戏艺术形态与审美取向  

Artistic Modality and Aesthetic Orientation of Puppet Show

作　　者：刘海潮[1] 

机构地区：[1]湖南科技大学艺术学院,湖南湘潭411201

出　　处：《长江师范学院学报》2016年第6期136-139,共4页Journal of Yangtze Normal University

基　　金：2014年湖南省哲学社会科学基金基地项目"湖南省汉语方言与文化科技融合研究基地"(14JD24)

摘　　要：布袋木偶戏作为我国古老戏剧艺术形式——傀儡戏的分支艺术,有着悠久的历史,它集民间戏曲、民间音乐、民间舞蹈和民间雕刻于一身,具有较高的历史文化价值和艺术审美价值。布袋木偶戏有其独特的艺术形态,蕴含着布袋木偶戏民间艺人独特的艺术审美观念和该艺术自身的艺术特性,充分呈现出我国布袋木偶戏民间艺人民族性和民俗性等多重审美取向。As a branch art of puppet play, an ancient Chinese play, the time-honored puppet show integrates folk opera, music, dance and carving into one, with great historical and cultural value as well as aesthetic value of art. Puppet show has it unique artistic modality which contains the unique artistic aesthetical concept of the folk artists and its own artistic characteristics. Meanwhile, it fully expresses the multi aesthetical orientations of folk artists in nationality and custom.

关 键 词：布袋木偶戏 艺术形态 审美取向 

分 类 号：J827[艺术—戏剧戏曲]