唐代湖湘诗人与“三教调和”  

The Huxiang Poets in the Tang Dynasty and “the Syncretism of Three Religions”

作　　者：李琳[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411100

出　　处：《中国文学研究》2017年第3期65-69,共5页Research of Chinese Literature

基　　金：作者国家社科基金项目"湖南地区民间信仰文化生态及保护研究"(13CZJ021)的阶段性成果

摘　　要：唐代思想开放,儒释道三教兼容并蓄,成为时代精神生活的一大特点。以李群玉、齐己、胡曾为代表的唐代湖湘诗人出入于三教之间,与三教人士交游唱和,他们不仅兼怀儒家入世情怀与佛、道出世思想,而且也加入到了唐代"三教调和"的大合唱中,其诗作富于佛、道哲理意趣。由于湖湘诗人身处山水风貌殊异的湖湘大地,承传了独特的湖湘文化传统,其诗歌创作在"三教调和"之外,又别具一种风味。Due to the open mindedness in the Tang dynasty, Confucianism, Buddhism and Taoism blended and coexisted, it thus becoming an important feature of the cultural life in that era. The Huxiang poets in the Tang dynasty, represented by LI Qun-yu, HU Ceng and QI Ji, embraced different religions, and had close contact with other believers. Influenced by ＂the Syncretism of Three Religions＂, they took in a positive view of life from Confucianism, as well as an attitude of being detached from the world from the Buddhism and Taoism, both of which added more charm to their poems. Apart from the religious factors, a regional flavor in their poems was endowed by the varied topography of Hunan and unique traditional Huxiang culture.

关 键 词：三教调和 唐代 湖湘诗人 

分 类 号：I206.2[文学—中国文学]