中国体育电影由宏观叙事到个体话语的探索之路——从《一个人的奥林匹克》说起  

The Exploration Road of Chinese Sports Film from Macro Narration to Individual Discourse——Speaking from “The one Man Olympics”

作　　者：左为东[1] 

机构地区：[1]黄冈师范学院体育学院,湖北黄冈438000

出　　处：《体育科技》2016年第4期78-79,共2页Sport Science and Technology

基　　金：湖北省教育厅人文社科基金项目(14G406);黄冈师范学院校级科研项目(2014019503)

摘　　要：体育电影《一个人的奥林匹克》在创作中进行探索,将叙事由宏观转向个体,从历史真实文本的选择、科学的训练方式与孤胆英雄式的悲剧美学这三方面解释何谓体育真精神。同时论文经过与西方体育电影的横向对比,得出作品配角人物刻画扁平、叙事松散与体育竞技的推动力是使命的感召等缺点的结论。The sports movie 'The One Man Olympics' tries to explore a new type in the course of creation, shifting the macro narrative into individual disclosure, and explaining what is meant by the true spirit of sport from the selection of historical text, scientific training methods and the aesthetic of tragedy of lone hero these three aspects. At the same time the paper through the horizontal comparison with western films, concludes some shortcomings that this work with rambling narrative portrays the supporting characters too flat and the impetus of competitive sports is just inspired by mission.

关 键 词：宏观叙事 个体话语 文本映射 悲剧美学 

分 类 号：G80-05[文化科学—运动人体科学]