问题·经验·方法——《极花》与贾平凹的创作视野  

Problem,Experience,Method:The Pole Flower and Jia Pingwa's Vision of Creation

作　　者：程小强[1] 

机构地区：[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013

出　　处：《湖南工业大学学报（社会科学版）》2016年第6期84-89,共6页Journal of Hunan University of Technology(Social Science Edition)

摘　　要：贾平凹的新作《极花》通过主人公胡蝶的生命遭际暴露了当下中国的人口贩卖、乡村基层政权弱化、都市异化等突出问题,直面乡土文学在"乡愁"离岸之后的粗鄙,揭示了儒道文化在维系乡村中国常量方面的重要作用及无可遏抑地走向末路的现实境遇。在对现实主义文学传统的深切坚守之外,清晰的参政意识凸显着创作者叙事立场之转变。贾平凹的思考直面高歌猛进的现代时期乡土中国,显现出创作者刚正为人与真诚为文的勇气。Jia Pingwas recent work The Pole Flower exposes outstanding problems such regime weakening at grass - roots level and urban alienation in China at the present time by depicting the tragic fate of the heroine Hudie. It also confronts the vulgarity of rural literature stripped of nostalgia, revealing the im-portance of comfucian and taoist culture in maintaining rural Chinese constant,which is inevitably coming to an end. Apart from deeply sticking to realist literary tradition, the awareness of political participation in the work highlights the authors change of narrative standpoint. Jia Pingwas reflection faces the triumphantly advancing rural China in modem times, showing the upright quality and sincere creation of the author.

关 键 词：《极花》 问题意识 人口贩卖 乡村政权 都市异化 

分 类 号：I207.42[文学—中国文学]