浅析艾南英的八股文观与创作  

A Brief Analysis of Ai Nanying's Viewpoint on Eight-Part Essays and Their Writing

作　　者：饶苏青 

机构地区：[1]扬州大学,江苏扬州225000

出　　处：《扬州教育学院学报》2017年第2期19-22,27,共5页Journal of Yangzhou College of Education

摘　　要：八股文由宋代经义等各种文体发展而来,在明代定型并成熟,明末八股文流于烂俗。在这种背景下,艾南英倡导八股文风的改革,要求八股文创作须学习古文作法,抵制空疏不学的现象。艾南英的八股文清古流畅,尊古而不拟古,《明文海·时文序》收录的其11篇序文中表达了对八股文作法的建议,要求作文要创新、雅洁、性灵与学术相结合等,并认为八股文与汉赋、唐诗、宋词等一同享有一代文学的地位。The eight-part essay originated from various literary styles like Confucian-classics argumentation of the Song Dynasty,finalized and matured in the Ming Dynasty and decayed in the vulgar in the late Ming Dynasty. Under this background,Ai Nanying advocated the reform of the literary style of eight-part essays,and asked to learn classical writing practices to avoid the phenomenon of emptiness. An＇s style of eight-part essays is smooth and similar to classical writing,not duplicate. In the eleven prefaces included in Ming Essay Collection·Fashionable Prose,Ai expressed his suggestions on writing eight-part essays and held that eight-part essays shared the same literary status with Ode of Han Dynasty,Tang and Song Poetry.

关 键 词：艾南英 八股文 时文观 

分 类 号：I206.2[文学—中国文学]