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作 者:丁淑梅[1,2]
机构地区:[1]四川大学中国俗文化研究所 [2]四川大学文学与新闻学院
出 处:《文化遗产》2017年第5期10-17,共8页Cultural Heritage
基 金:国家社科基金项目"双红堂藏清末四川唱本研究"(项目编号:14BZW075)的阶段性成果
摘 要:《花仙剑》是川剧传统剧目之一,作为"江湖十八本"之一的大戏,流传甚广。双红堂藏清末四川"唱本"六十四冊中有三种版刻不同的《花仙剑》,近又发现北碚图书馆藏一种冉开先改编《花仙剑》民国抄本。通过刊本差异与故事截取、安排的"偷窥"与艳妖之缘、丑世之谑与斗打之趣的梳理探讨,可以见出这些本子,在故事主线与人物重心的演绎、关目设置与戏剧情境的生发、角色声口与不对等场面偏离等方面呈现的独特面貌——艳缘截断与喜谑转关。对川剧大戏同一代表剧目的析出段落、故事缘起、多重演绎路向展开个案研究,或许有助于进一步发掘早期川剧故事性与戏剧性因素的酝酿绾合,为川剧的编演过程与受众互动产生的社会影响提供一些思考。'Huaxianjian'is one of the traditional dramas of Sichuan opera,and it is widely circulated as one copy of'Jianghu 18 copy'.There are three different kinds of'Huaxianjian'in the 64 volumes Sichuan Changben(Libretto)in late Qing dynasty collected in Shuanghong Hall of the university of Tokyo.Recently,a copy for Rankaixian adaptation in the Republic of China was found in Beibei Library of Chongqing.By studying the copies differences,story intercepts,the plots of'peek'and date with the beautiful fairy,and the paragraphs of joking and fighting,we can find interrupts in romantic fairs and conversion to joking presents in the disposes of storyline and main character selection,setting of acts and plots,dialogue and scenes,and these are the special aspects of all these copies.The case study of a typical Sichuan opera may provide further exploration into the fusion of narrative and dramatic factors in early Sichuan opera,and may also support the studies on the impacts of the interaction of compilation and the audience on the society.
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