从体裁谜团到喜剧精神——读董晓著《契诃夫戏剧的喜剧本质论》  

From the Enigma of Genre to the Comic Spirit:A Reading of Dong Xiao's The Comedic Nature of Chekhov's Drama

作　　者：孙海英[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《外国文学研究》2017年第4期112-115,共4页Foreign Literature Studies

摘　　要：契诃夫戏剧的体裁问题在学界一直没有达成共识,成为一个艺术谜团。董晓教授的《契诃夫戏剧的喜剧本质论》一书致力于解开谜团,从接受契诃夫的观点出发去探讨其戏剧的喜剧性本质问题。作者把契诃夫戏剧创作当做一个艺术整体进行观照,由表及里、逐层深入地阐释了契诃夫独特的喜剧观念,认为契诃夫戏剧以超越的喜剧式眼光冷峻地审视着生活的荒诞、世界的荒诞,这种喜剧精神是其自由精神的体现,并且也是对20世纪戏剧的影响之源。The problem about the genre of Chekhov＇s plays has not reached a consensus in the circle and remained an unsolved artistic mystery.Professor Dong Xiao＇s The Comedic Nature of Chekhov＇s Drama seeks to unravel the mystery and to explore the comic nature of Chekhov＇s plays from Chekhov＇s own point of view.Dong Xiao treats the plays as an organic whole,proceeds from the exterior to the interior and reveals Chekhov＇s unique concept of comedy layer by layer.Dong Xiao holds that Chekhov examined the absurdity of the world and life with a cold and transcendent comic eye,which is a reflection of his spirit of freedom,and also a fountainhead of the impact the 20 th century drama.

关 键 词：董晓 契诃夫戏剧 喜剧性 喜剧精神 

分 类 号：I512.073[文学—其他各国文学]