延安知识分子:三重身份的同一  

Intellectuals in Yan'an:The Unity of Triple Identities

作　　者：于敏[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《兰州大学学报（社会科学版）》2017年第4期111-116,共6页Journal of Lanzhou University（Social Sciences）

基　　金：国家社会科学基金重大项目"延安文艺与二十世纪中国文学研究"(11&ZD113)

摘　　要：延安文艺的形成与传播过程,实际上是将延安知识分子加以改造,实现其革命的文艺工作者、文学生产者和文学传播者三重身份同一的过程。在这一过程中,延安知识分子始终将人民大众尤其是工农兵作为服务对象,深入工农兵群众和参加实际斗争,转变思想,获取源泉,完成了向革命的文艺工作者身份的转变。作为文学创作主体的延安知识分子从人民群众的审美取向和接受习惯出发,创作出反映革命斗争、描写工农兵新形象的作品。作为传播主体,延安知识分子借助各种媒介手段推进延安文艺的传播与接受,在传播的同时实现与受众的互动,最终实现团结教育人民、帮助人民和敌人作斗争的目的。The formation and spreading ofYan＇an literature and art is in fact a process of remoulding the in- tellectuals and unifying their three roles of revolutionary literature and art workers, literature producers and literary disseminators. In this process, the intellectuals viewed the mass especially the workers, farmers and soldiers as the objects of their service. By blending into the mass and participating in the real struggles, they transformed their thoughts, gained the sources of writing, and finally achieved the transformation to the revo- lutionary literature and art workers. As the major writing force, the intellectuals based their writings on the mass＇ aesthetics and acceptance. Their writings depicted revolutionary struggles and workers, farmers and soldiers＇ images. Being the dominant force of communication, they used various mediums to promote the communication and acceptance of Yah＇ an literature and arts. In this process, they achieved the goals of interacting with the mass, educating them and eventually helping them to fight against the enemies.

关 键 词：延安知识分子 身份 革命文艺工作者 文学生产者 文学传播者 

分 类 号：I206.6[文学—中国文学]