仪式在俄国象征主义戏剧场面中的功能和形式  

The Functions and Forms of Rituals in the Spectacle of Russian Symbolist Drama

作　　者：姜训禄[1] 

机构地区：[1]中国石油大学(华东)

出　　处：《俄罗斯文艺》2017年第3期31-40,共10页Russian Literature & Arts

基　　金：中央高校基本科研业务费专项资金资助项目<20世纪前30年俄罗斯戏剧流变研究>(项目号:17CX04013B)阶段性成果

摘　　要：场面是戏剧的基本组成单位,是一定时间、一定环境内人物、行动的组织方式。俄国象征主义戏剧的最高目标是"创造生活",即通过戏剧建构理想世界的典范。仪式的功能与俄国象征主义戏剧的"创造生活"诉求不谋而合,成为剧作家开掘戏剧场面的组织形式。仪式化场面呈现出独特的人物关系和世界秩序,是剧作家戏剧思想的直观注解,是对个体存在的别样思考。The spectacle is a basic element of drama, which can involve all of the aspects of scenery, such as characters and actions within a certain period of time on stage. Life-creation tends to be considered as the mission of Russian symbolist drama, in another word, to create a model of ideal world through plays. This function can be found in rituals. As a result, ritual becomes a widely used form of spectacle for Russian symbolist playwrights. In Ritualized scenes emerge a special relationship of characters and ideal world order, which reflects the thoughts on the being of individuality.

关 键 词：仪式 俄国象征主义戏剧 场面 合唱 

分 类 号：I512.073[文学—其他各国文学]