近代中日女性表演之比较  

The Comparative Study of Modern Female Performers in China and Japan

作　　者：张雯[1] 

机构地区：[1]山东大学外国语学院

出　　处：《中华女子学院学报》2017年第4期76-80,共5页Journal of China Women＇s University

基　　金：山东大学基本科研业务费项目"近代日本女性表演的发生与发展"的阶段性研究成果;项目编号:2015HW015

摘　　要：在近代的中国与日本,曾被清政府与江户幕府封禁的女性表演逐渐复活,在中国传统戏剧中开始有女伶演出,而日本的新式女优也开始登台表演新派剧。日本女优的出现可以说是"演剧改良运动"的结果,诞生于新式演剧之中并发展至今,但在歌舞伎等传统演剧中却始终没有出现女性表演。而中国的"戏剧改良运动"虽受日本影响,但因国情不同并没有产生推动女性表演进一步发展的局面。近代中国的女性表演在传统戏剧内部产生,后来逐渐普及至电影、歌舞剧等领域。In modern China and Japan, female performance banned by the Qing government and the Edo Shogunate era began to revived. The Chinese and Japanese traditional drama performances began to enter a new stage. The emergence of the Japanese actress can be said to be the result of the ＂drama reform movement＂, while China＇s＂drama reform movement＂was influenced by Japan. However, because of different national conditions the effects of promoting the further development of female performance were different. In modern China, female performance took place in the traditional drama, and then gradually developed into the field of film, music and drama, while the Japanese actress in the new drama appeared and developed, but female performance has never taken place in Kabuki and other traditional drama of Japan.

关 键 词：女性表演 日本女性 戏剧改良运动 传统戏剧 

分 类 号：C913.68[经济管理]