晚唐张乔诗歌的语言艺术与美学风格  

A Study on the Language Art and Aesthetic Style of Zhang Qiao's Poetry in Late Tang Dynasty

作　　者：任冬青[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《阜阳师范学院学报（社会科学版）》2017年第4期71-75,共5页Journal of Fuyang Normal University：Social Science Edition

摘　　要：张乔是晚唐池州诗人,《全唐诗》存其诗两卷共171首。他的语言艺术与美学风格相互生发,多变的语言艺术生成四种美学风格。清雅明净的语汇追求和"以文为诗"的语言技巧构建出清雅明净的美学风格;对先贤诗歌"夺胎换骨"式的借鉴与"曲笔传情"的典故运用,形成婉曲流逸的美学风格;瘦寒孤冷的意象选择与冷色调的色彩描写,烘托出瘦寒孤冷的美学风格;张乔边塞题材的诗歌创作,营造了悲怆奇崛的美学风格。Zhang Qiao is a poet in the late Tang Dynasty. He was from Chi Zhou, a city of Anhui Province. There are two series of his poetry, 171 poems included in the Complete Tang poems. His language art and aesthetic style influence each other. The changeable language art produces four aesthetic styles. The pure and clear vocabulary and the language skills of ＂Taking Writings as Poem＂ build a clear aesthetic style; The implicit and flexible aesthetic style is formed by the use of predecessors＇ poems, such as the skill of ＂changing the bones and altering the fetus＂ and ＂using allusions to express feelings＂; The lonely and cold image choice and cold color description foil the lonely and cold aesthetic style; Zhang Qiao＇s frontier poems create a tragic and great aesthetic style.

关 键 词：张乔 晚唐诗 语言艺术 美学风格 

分 类 号：I207.22[文学—中国文学]