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作 者:蒲向明[1] PU Xiang-ming(Department of Literature and Medium, Longnan Teachers College, Chengxian Gansu 74250)
机构地区:[1]陇南师范高等专科学校文学与传媒学院,甘肃成县742500
出 处:《甘肃高师学报》2017年第7期5-8,共4页Journal of Gansu Normal Colleges
基 金:国家社科基金艺术学项目"西北民间小戏与祭祀仪式研究"(11EB129);2016年甘肃省社科规划项目"清末民国以来甘肃戏剧资料搜集与整理"(YB147)阶段性成果
摘 要:陇南邻接川、陕,特别是与最南的甘肃省文县与川陕交往频繁,文化的复合型特点明显。其地方戏剧"玉垒花灯戏",相较于秦腔和川剧,差异性特点突出,具有独到的艺术品格和表现形式,因而使其保持400余年的流变与发展,曾成为甘肃乃至全国有影响的地方剧种,现为甘肃省首批公布的非遗保护项目。其剧目方面形成了一个口传、活态的文化系统,对其研究和整理很有价值。其剧目分类主分文戏和武戏两个大类:文戏以唱工、做工为主,武戏以武工(武场面)为主;文戏一般显得精彩细腻,而武戏则热烈火爆。在该戏一部剧中,往往不能把二者截然分开。随着情节推进,武戏和文戏有着顺畅的交替和混融,由此展现了玉垒花灯戏反映生活的显著能力。Longnan adjacent to Sichuan, Shaanxi, especially in the south of Wenxian and the Gansu province exchanges, complex cultural characteristics significantly. The local drama Yulei lantern show, compared to the Qinqiang opera and Sichuan Opera, differences in features prominent, has its unique artistic style and form, and thus keep the rheology and more than 400 years of development, has become Gansu and even the influential local operas in China, Gansu province is now the first batch of intangible cultural heritage protection projects announced. Its repertoire formed a culture system of oral live, is very valuable for the research and sorting. Classification of the main repertoire of the civil and two categories: the text mainly in workmanship, military to Wu (Wu scenes); they generally look wonderful and delicate, and the military is warm and hot. In the play, one can not distinguish the two from each other. As the plot forward, military and civil has a smooth alternation and mixing, thus show significant ability to reflect the life of the lantern show line.
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