《野草》的人格符号初探  

A Preliminary Study of Personality Symbols of WILD GRASS

作　　者：崔绍怀 CUI Shao-huai(School of Literature and Communication, Huizhou University, Huizhou 516007 ,China)

机构地区：[1]惠州学院文学与传媒学院,广东惠州516007

出　　处：《齐鲁学刊》2017年第4期139-144,共6页Qilu Journal

基　　金：国家社会科学基金后期资助项目"多维视野中的<野草>研究概论"(14FZW048)

摘　　要："散文诗"的文体视角在很大程度上限制了《野草》研究的理论视野,无法对《野草》的"人学"内涵作更为深广的发掘。细读《野草》文本,可以感到《野草》在本质上是人格化的寓言诗,而不是单纯托物言志的散文诗。《野草》中的人物并不是单纯的人物形象,而主要是一种人格符号。这些人格符号指向全民族的"国民性",是你中有我、我中有你的民族性格的全面的显现或某一侧面的显现。在符号学视角下观照《野草》的人物性格,其中蕴含正面人格、中性人格、负面人格。《野草》整体上完全是一部宏大的寓言诗剧,作为寓言诗的《野草》,不仅是鲁迅人生哲学的精髓,也是鲁迅创作的"纲领性"文本。The stylistic perspective of prose poetry,which places barriers in the way of deeper exploration of the connotation of＂human＂,limits the theoretical perspective of the study of WILD GRASS.While reading the text,it can be felt that the WILD GRASSis rather an impersonated allegory,than a simple prose poem.The characters in WILD GRASSare not merely characters,but mainly symbols of personality.These personality symbols which represent the＂national character＂,is either the comprehensive manifestation or a side show of acommunity national characters.From the perspective of semiotics,the characters of WILD GRASScan be classified into positive personality,neutral personality and negative personality.As a whole,WILD GRASSis a grand allegorical drama.As an allegory,WILD GRASS,is not only the essence of Lu Xun＇s philosophy,but also the＂programmatic＂text of Lu Xun＇s creation.

关 键 词：鲁迅 《野草》 寓言诗 人格符号 

分 类 号：I210.97[文学—中国文学]