再论法国电影先锋派与先锋派电影  

Re-Discussing French Film Avant-Garde School and Avant-Garde Film

作　　者：曹峻冰 高娜[1] CAO Jun - bing GAO Na(School of Literature and Journalism, Sichuan University, Chengdu, Sichuan 610064)

机构地区：[1]四川大学文学与新闻学院,四川成都610064

出　　处：《艺术百家》2017年第4期76-80,168,共6页Hundred Schools In Arts

摘　　要：基于世界经典电影史的审慎考察,先锋派电影的语义关联应立足于法国电影印象派—先锋派的诞生、法国电影先锋派的主旨和先锋精神三个方面加以再阐释。在狭义上,先锋派电影意指由法国电影史学家乔治·萨杜尔界定的1925年之后以谢尔曼·杜拉克为旗手的法国电影学派;在广义上,它一方面指20世纪二三十年代以德、法为中心的艺术电影运动,另一方面则指在先锋精神的统摄下更广泛的电影突破与创新实践。Based upon a careful investigation of world classical film history, the semantic association of advant - garde film should be interpreted from the perspectives of the generation of French film impressionism, the purport of French film advant - garde school, and avant - garde spirit. In a narrow sense, avant - garde school film refers to the French film school defined by film historiographer George Sadoul and taking Scherman Dulac as the standard - bearer after 1925. In a broad sense, it refers to art film movement in 1920s to 1930s on one aspect, and refers to a film break- through and innovative practice governed by avant-garde spirit on the other.

关 键 词：电影艺术 法国电影先锋派 电影创作 先锋派电影 先锋精神 

分 类 号：J90[艺术—电影电视艺术]