口头叙事、景观再造与文化的再生产——以山西万荣笑话为考察对象  

Oral Narrative,Landscape Reconstruction and Cultural Reproduction:——Take the Wanrong Jokes of Shanxi Province as Investigation Object

作　　者：谢红萍[1] Xie Hong-ping

机构地区：[1]中央民族大学,北京100081

出　　处：《青海民族大学学报（社会科学版）》2017年第3期102-107,共6页Journal of Qinghai Minzu University：Social Sciences

基　　金：国家哲学社会科学重大攻关项目"中国民俗学学科建设与理论创新研究"(项目编号:16ZDA162)的阶段性研究成果

摘　　要：在现代和后现代社会,景观设计师或工程师在将地方文化再造与展示的同时,也将其"景观化"与"符号化"。在此过程中,景观被赋予了更为丰富的多样性与意义。山西万荣笑话的"原生态"形式具有污名化的色彩,在改革开放后"文化搭台、经济唱戏"的场域中,为服务于地方社会经济的增长和形象的重塑,这一黄土地上的口头传统被逐步去污化,被"发明"与"再造"为地方文化的象征符号,在进行"传统的再造"的文化再生产中也实现了权力再生产。In modern and post-modern society,the local culture has become landscapes and been symbolized when they are reconstructed and displayed by architects or engineers.In this process,the landscape is endowed with more abundant diversity and significance.Originally,the form of Wanrong jokes had a color of stigmatization.But after the reform and opening up,in the situation of ＂culture and economic＂,oral traditions of the loessland had been gradually destigmatized when they were ＂invented and ＇reconstructed＂ as symbols of the local culture,in order to serve the economic growth and rebuild the statue of the local society.Along with the reconstruction of traditions,which is a production of culture,the reproduction of power has been realized.

关 键 词：万荣笑话 污名化 文化景观 符号资本 

分 类 号：I207.7[文学—中国文学] G112[文化科学]