中国传统屋木画中斗棋表达方式的变迁  

The Evolution of the Bracket Set's Representation in the Architectural Painting of Traditional China

作　　者：刘涤宇[1] 

机构地区：[1]同济大学建筑与城市规划学院

出　　处：《世界建筑》2017年第9期30-35,共6页World Architecture

基　　金：国家自然科学基金资助项目(批准号:51678415)

摘　　要：本文以北宋时期对屋木画的一些论述为线索,向上追溯至南北朝及唐,向下延伸到18世纪,探讨中国传统屋木画中斗栱表达方式的变迀。探讨的主要问题包括:中国传统屋木画,包括斗栱的表达方式在内,如何应对画法本身可能导致的视觉失真现象;斗栱屋木画技法与古代建筑工程图样的关系;后世逐渐发展起来的斗栱两种模式化画法及其演进过程。希望以此专题研究来推进对屋木画的进一步了解。Following the discussion of architectural painting in Northern Song dynasty, this paper probes into the evolution of the bracket set＇s representation in the traditional architectural painting of China. This paper discussed with the following issues： how architectural painting of traditional China, besides bracket set＇s representation, concerned with the visual perception distortion in their experiential projection; what is the relationship between the techniques of the bracket set＇s representation and those of the traditional drawings of architecture in China; and why two stereotypes of painting bracket set appeared and evolved after the Northern Song dynasty. The objective of this paper is getting advanced understandings through monographic study.

关 键 词：屋木画 建筑 斗栱 一斜百随 模式化 

分 类 号：TU-092[建筑科学—建筑理论] TU204