古迹重绘——“德意志”视角下的彩饰之辩:希托夫、森佩尔、库格勒与他们这一代(上)  

Repainting Antiquity:The 19th-Century Architectural Polychromy Debate Seen Through “German” Eyes:Hittorff,Semper,Kugler and Their Generation(1)

作　　者：荷雅丽 李路珂[1] 蒋雨彤 

机构地区：[1]清华大学建筑学院

出　　处：《世界建筑》2017年第9期104-113,共10页World Architecture

基　　金：国家自然科学基金资助项目(批准号:51678325);清华大学自主科研计划(批准号:20151080466)~~

摘　　要：19世纪的一场关于建筑彩饰的论争颠覆了我们对于古典建筑,特别是古希腊和古罗马神庙建筑的认知。作为建筑理论领域较为后起的一支力量,"德意志"在这一过程中扮演了特殊的角色。本文详细回顾了这场论争的来龙去脉,各派学说如何卷入其中,又如何在特定的社会机制下推动着事实的逐步揭示,最终达到观念的彻底改变。这一事件直接地影响到现代希腊复兴建筑,甚至也波及到西方的中国建筑史编纂学。The paper investigates the 19th-century dispute over polychromy that revolutionized contemporary understandings of antiquity, especially ancient Greek and Roman temple structures. The Prussian, Bavarian, and Germamborn French architects discussed in this paper played a key role in this process, despite ＂Germany＂ as a nation only becoming a driving force in the formulation of architectural theory at a relatively later stage. The paper places the debate within the larger context of the time, subsequently analyzing conflicting theories regarding the highly disputed but undeniable fact of polychromatie classical architecture. This re-visioning of the debate surrounding polychromy of antiquity will serve to improve our understanding of modern Greek revival architecture and even more so, our understanding of Western historiography on Chinese architecture.

关 键 词：19世纪欧洲彩饰之辩 古代希腊建筑 建筑色彩 阿法雅神庙 帕提农神庙 伊格纳茨·希托夫 戈特弗里德·森佩尔 弗朗兹·库格勒 约翰·约阿希姆·温克尔曼 詹姆斯·弗格森 

分 类 号：TU-091[建筑科学—建筑理论] TU-86[艺术—艺术设计]