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出 处:《华北理工大学学报(社会科学版)》2017年第5期137-144,共8页Journal of North China University of Science and Technology(Social Science Edition)
摘 要:时间和空间是人类的基本认知范畴,且Tenbrink认为特定认知主体基于自身视域能建构出相应时空参照框架并生成不同语言空间。西方叙事戏剧作为西方文学史上的最早出现的典型性艺术范本,其戏剧语言空间中存在高频时态非规约转换现象。文章以西方叙事戏剧典范《销售员之死》为个案研究,从时空参照框架视角对西方叙事戏剧的语言空间时空转换进行深入探究。研究发现,《销售员之死》中以认知主体的具身、离身以及复合式三大语言空间为基础,不同认知主体在语言空间中选择相异视域是形成时空高频转换背后的主要认知生成机制。研究从时空参照认知视角研究西方叙事戏剧,阐述其时空高频转换现象认知背后机制生成的同时也进一步为其传播提供一个新视角。Time and space are the basic cognitive categories in human being.Furthermore,particular cognitive subjects can construct tempo-spatial reference framework accordingly and then produce various language spaces.And western narrative drama is regarded as the most typical literary art which lies a large amount of unconventional language phenomenon in tense within its language space.On the basis of tempospatial reference framework,this paper takes The Death of Salesman as a case study to delve into tense conversion in language space of western narrative drama.The research findings are as followings:the generative cognitive mechanism towards high frequent tense conversion in The Death of Salesman isbased on the cognitive subjects in various language space which included embodied language space,disembodied language space as well as combined language space.The cognitive subjects can choose various views according to different distances to construct the tense conversion which is in high frequency.This research elucidates the unconventional language phenomenon in tense from the perspective of tempo-spatial reference framework,which not only deepens cognitive vision towards western narrative drama but provides cognitive foundations to its further spreading.
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