Dream boy: Discuss Kes and Billy Elliot in relation to Raymond Williams's Categories of Culture  

Dream boy: Discuss Kes and Billy Elliot in relation to Raymond Williams's Categories of Culture

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作  者:HE Xin-yu 

机构地区:[1]Shanghai Jiao Tong University, Shanghai, China

出  处:《Journal of Literature and Art Studies》2017年第11期1450-1456,共7页文学与艺术研究(英文版)

摘  要:By contrasting the two British films, KesI and Billy Elliot2, which in different historical periods, the paper is a comparative cultural study to films. Aside from the similarities, the differences between the two films precisely show the cultural and social differences in reality. In Raymond Williams' s theory of cultural materialism, culture can be divided into three categories--the dominant, residual and emergent. In relation to this, the 'cultural hybridity' can be shown clearly among the problems (eg. gender, class, sexuality, etc) that the two films involve. Then, I suggest that the relationships between Kes and the 'emergent culture' is an important cultural aspect which Kes exceeds to Billy Elliot.

关 键 词:Categories of Culture Social Space Gender Class 

分 类 号:TS101.923[轻工技术与工程—纺织工程] G0[轻工技术与工程—纺织科学与工程]

 

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