夏商周时期的音乐生产与消费  

The Production and Consumption of Music in the Xia,Shang and Zhou Dynasties

作　　者：韩启超[1] 

机构地区：[1]浙江师范大学音乐学院,浙江金华321004

出　　处：《浙江师范大学学报（社会科学版）》2017年第5期80-89,共10页Journal of Zhejiang Normal University(Social Sciences)

基　　金：教育部人文社会科学项目"中国音乐经济发展史"(09YJC760051);浙江省哲学社会科学规划项目之江青年课题"江南音乐经济发展史研究"(11ZJQN078YB)

摘　　要：夏商周断代工程确定奴隶制国家体系诞生、文字可考的历史自夏代开始,代之而起的商代、西周,这是我国早期文明的主体阶段。从艺术经济学的视野来看,在这一漫长的时期,乐舞艺术不仅高度融合于社会活动之中,也参与社会生产与分配,受制于社会生产力与生产关系。因此,本文立足这一视域,系统探讨奴隶社会时期的乐舞经济学问题,以期归纳乐舞与社会生产力、经济发展之关系。The studies of the Xia,Shang and Zhou Dynasties confirm that it is in the Xia Dynasty that the state of slave system was established and the recorded history began. Later the Shang Dynasty and the Western Zhou Dynasty replaced the Xia Dynasty,and became the main stage of early civilization in China. From the perspective of art economics,during this long period,the music and dancing art was not only highly integrated in social activities,but also was involved in social production and distribution,subjected to social productivity and relations of production. Therefore,based on this viewpoint,this article explores the music and dancing economy in the slave society so as to deduce the relationship between music and dancing and the development of social productivity and economy.

关 键 词：奴隶社会 乐舞生产 消费 国家体制 

分 类 号：J692.9[艺术—音乐]