宋代道教仪式音乐研究  

A Study on Taoist Ritual Music

作　　者：蒲亨强[1] 肖珺[2] 

机构地区：[1]西南大学 [2]四川外国语大学重庆南方翻译学院音乐学院

出　　处：《音乐探索》2017年第4期31-38,共8页Explorations in Music

基　　金：2011年国家社科基金艺术学项目"道教音乐史纲"(11BD035);2012年度西南大学人文社会科学研究重大项目"宗教音乐传承体系研究"(2XDSKZ004)

摘　　要：宋代灵宝派仪式音乐继续在江南弘传中,因应特定历史背景和借鉴佛教仪式,促使黄斋的"正斋"演变为情节性的"施食",并为后世沿用。另投龙、传度等仪则以继承为主略有发展。施食仪的盛行扩充出较多新曲,音乐表演的作用更加突出,由此显现出宋代转型的时代特点,其巨大影响至今犹存。Great changes in the rites of Taoist Lingbao School took place when it was widely spread in the Song Dynasty due to the specific historical background and its borrowing from Buddhism. Many new music pieces were created along with the popularity of Lingbao School Rite Shishi. Music played a more important role in the rites during that period of social transformation and some music features of that time still remain today.

关 键 词：宋代 道教仪式 转型 传承 经韵 

分 类 号：J608[艺术—音乐]