共和国成立前及初期国产电影的艺术属性呈现  

The Art Attribute of Chinese Film before the Founding and in the Early of PRC

作　　者：吴丽[1] WU Li(College of Film-TV Arts, Yunnan Arts University, Kunming, Yunnan65050)

机构地区：[1]云南艺术学院影视学院,云南昆明650500

出　　处：《新疆艺术学院学报》2017年第3期93-98,共6页Journal of Xinjiang Arts University

基　　金：作者主持的国家社科基金项目"中老边境民族语电视传播与文化安全研究"(11XXW008);云南省教育厅科研基金项目"回归电影产业的基本属性--建国60余年云南少数民族题材电影研究"(2014Y356);云南省普通高等学校"十二五"规划教材建设项目"云南少数民族电影史"(13)

摘　　要：早期国产电影的艺术属性主要呈现为娱乐大众的艺术体验。共和国成立前,私营电影在迎合与引导观众需求之间徘徊。在左翼电影工作者与私营影业公司的合作中,二者通过娱乐叙事与政治主题的结合,使得在民族解放与国内政治斗争最激烈的抗日战争和解放战争时期的中国电影仍然体现出了一定的娱乐性。共和国成立初期,私营电影的创作一直处于艺术观念与表现手法不断调适的状态,而对于一些观众而言,观看红色电影是一种重要的娱乐方式。The art attribute of early Chinese films mainly presented the artistic experience of entertainment. Before the founding of the People＇s Republic of China, private films have been hovering between to cater to and guide the audience＇s needs. In the collaboration between left-wing filmmakers and private pictures, the two sides combined the entertainment narrative with the political theme to improve the artistic expression and entertainment value of the films. It made Chinese films still show entertainment during the war of resistance against Japan and liberation at the height of national liberation and domestic political struggle. In the early of the PRC, private films were constantly in the process of adjusting the artistic conception and expression. For some viewers, Red Film was an important form of entertainment.

关 键 词：共和国成立前及初期 国产电影 艺术属性 

分 类 号：J905[艺术—电影电视艺术]