内蒙古乌素图召庆缘寺护法神壁画图像解析  

The Analysis of the Guardian Deity's Mural Image on Qingyuan Temple of Wusutu Monastery in Inner Mongolia

作　　者：莫日根[1] 杜粉霞[1] 

机构地区：[1]内蒙古工业大学建筑学院环境艺术设计系

出　　处：《中外建筑》2017年第10期51-54,共4页Chinese & Overseas Architecture

基　　金："教育部人文社会科学研究青年基金项目"(项目号:15YJC760074)的阶段性成果;内蒙古社会科学研究项目:草原丝路书画艺术专项(项目号:16Z20)的阶段性成果;内蒙古工业大学一般科研项目(项目号:sk201405)的阶段性成果

摘　　要：内蒙古乌素图召庆缘寺护法神壁画因其艺术特征独特,多为人所关注,在内蒙古地区召庙壁画艺术研究中占有重要地位。本文结合历史学、民俗学、艺术学等多学科对壁画图像中表现出的艺术特征进行详细解析,以求全面阐述庆缘寺护法神壁画的艺术成就,并通过对庆缘寺护法神壁画的研究了解蒙古北元时期土默特地区的社会状态。Because of mural unique artistic features on Qingyuan temple of Wusutu Monastery In Inner Mongolia, more attention has been paid to, It plays an important role in the research on the art of temple murals in inner Mongolia. Combining with the history, folklore, art and other disciplines,this paper analyzes the artistic features of mural paintings in detail, in order to comprehensively expound the artistic achievements of guardian deity＇s mural in Qingyuan temple,and through the study of guardian deity＇s mural in Qingyuan temple,to understand the social status of Tumed area in the northern yuan period of Mongolia.

关 键 词：乌素图召 庆缘寺 护法神 壁画 

分 类 号：K879.41[历史地理—考古学及博物馆学]