《沙漠深处》的复调特征  

The Polyphonic Features of Deep In The Desert

作　　者：朝鲁孟其木格 

机构地区：[1]天津师范大学文学院,天津300380

出　　处：《内蒙古民族大学学报（社会科学版）》2017年第4期83-86,共4页Journal of Inner Mongolia Minzu University：Social Sciences

摘　　要：蒙古语长篇小说《沙漠深处》是当代蒙古族作家乌力吉布林的一部新作,也是灵幻主义流派的代表作品。与传统小说叙述方式不同的是,作者大胆尝试并运用多种文体、多重视角以及多个时空穿插等创作技巧来反映存在的复杂性和可能性,从而体现出一种独特的复调特征。对作者而言,文学作品的技巧与艺术性是一个作家毕生的追求,没有革新和创新的艺术是走向灭亡的艺术。因此,《沙漠深处》中的复调特征是作家对小说形式的又一次深刻探索。The Mongolian novel Deep In The Desert is a new work by the modern Mongolian writer Ulziiburen,and is a representative of Zung Shidlig School. Compared to the traditional novels narrative,the author attempt and use a variety of genres？multiple perspectives and multiple space -time with creative skills to reflect the complexity and the possibility of existence, which reflects a kind of unique polyphonic features. For the author,the art and skill of literary works is a lifelong pursuit of a writer , without innova-tion the art will be dying. Therefore, the polyphonic art of Deep In The Desert shows a exploration and breakthrough in the art and create skill of Mongolian novel.

关 键 词：《沙漠深处》 复调 存在 

分 类 号：I207.9[文学—中国文学]