后现代戏剧的艺术理念与导演实践——以国际导演大师班实训为例  

Artistic Ideology and Directing Practices in Post-modern Theatre——A Case Study on the Practical Training of The International Master Class on Directing

作　　者：何好[1,2] 

机构地区：[1]安徽大学艺术学院戏剧系 [2]上海戏剧学院

出　　处：《戏剧艺术》2017年第5期94-103,共10页Theatre Arts

基　　金："2014年度教育部人文社科青年基金项目<后现代戏剧导演理论之"视点"方法研究>"【项目编号:14YJC760019】的阶段性成果

摘　　要：后现代戏剧脱胎自20世纪60年代骤起的后现代主义哲学思潮,其艺术理念波及其后至今的所有戏剧观念和形态。后现代戏剧在身体与时空、文本与演出、导演与演员、观众与演出等方面,对导演实践提出了新的要求。上海戏剧学院导演系举办的"国际导演大师班(南欧)",聚焦后现代戏剧导演理论和技法的引介和研究,是国内后现代戏剧导演艺术研究重要的分析对象。Post-modern theatre was born from post-modernist philosophy which began in the 1960s. Its aesthetic ideology has influenced all the theatrical ideas and forms since. New requirements for directing were raised by post-modern theatre in such aspects as text and performance, director and performer, audience and performance, and the relationship between time, space, and body. The International Master Class on Directing （Southern Europe） held by the Department of Directing, Shanghai Theatre Academy, focused on the introduction and study of post-modern directing theories and techniques. The Master Class was highly valuable as an endeavor for the study of post-modern directing in China.

关 键 词：后现代戏剧 身体与时空 文本与演出 导演与演员 观众与演出 国际导演大师班(南欧) 

分 类 号：J80[艺术—戏剧戏曲]