从画山水到造山水——公望美术馆浅析  

Analysis on Gallery of Gong Wang, From Landscape Painting to Landscape Creating

作　　者：储艳洁[1] 赵军[2] 

机构地区：[1]上海商学院艺术设计学院,上海200233 [2]东南大学建筑学院,南京210002

出　　处：《艺术与设计（理论版）》2017年第9期82-85,共4页Art and Design

摘　　要：文章通过对传世名作《富春山居图》和公望美术馆的调研分析,从传统美学、文学、设计立意、建造技术等角度解读公望美术馆。建筑师王澍以《富春山居图》为设计立意,运用杭州富阳当地的建筑材料、建筑风格和建造技艺营造公望美术馆,由画山水到造山水,完成了从二维山水画上升到三维建筑的转化,体现了当代文人的山水情怀,追求山林诗意栖居的价值观念。公望美术馆承载了历史名画的精神寓意,是古代美学、哲学文化与当代建筑文化的一次隔空对话,把现代文化建筑推向新的精神层面的高度。By analyzed the extant masterwork FuChun Mountain and Gongwang Gallery from the view of traditional aesthetics, literature, design concept and construction technology this article interprets Gongwang Gallery. Architect Wangshu design concept from Fushun mountain painting to transformed a two dimensional landscape painting to three dimensional space which achieved from landscape painting to landscape creating by local construction material in Hangzhou Fuyang, architecture style and technology to build Gongwang Galley, a gallery which reflects the contemporary literary intellectuals＇ landscape consciousness and the values to chasing quiet and poetic dwelling. Gongwang Gallery hold the spirits of ancient masterwork, and the time breaking conversion between ancient aesthetics, philosophy culture and contemporary architecture culture which pushing modern culture to a historically high level from the spirit view.

关 键 词：西山水 富春山居图 造山水 童返工匠精神 片瓦 循环建造 

分 类 号：J525.1[艺术—艺术设计]