乔纳森·萨弗兰·福厄《特别响,非常近》中的历史书写  

The Writing of History in Jonathan Safran Foer's Extremely Loud & Incredibly Close

作　　者：许希夷 杨金才[1] 

机构地区：[1]南京大学外国语学院,江苏南京210023

出　　处：《湖南科技大学学报（社会科学版）》2017年第5期48-53,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

摘　　要：美国犹太裔青年作家乔纳森·萨弗兰·福厄的小说《特别响,非常近》将后"9·11"时代的恐怖阴影与二战历史紧密相连,在历史书写的深度上饱受质疑。从作品的后现代历史编撰元小说特征入手,可看出福厄对文本化的历史、主体性和作者身份拥有别样的体悟,看似光明的结局并未止步于亲情的回归,而是通过言说和交流的失败让读者体验到作者对创伤的理解以及对共情的质疑。The young Jewish-American author Jonathan Safran Foer blends post-9/11 specter of terror with the history of WWII in his fiction Extremely Loud Incredibly Close,evoking strong criticisms on historical profundity. From the perspective of historiographic metafiction,we can explore Foer ＇s viewpoints on the writing of history and writer＇s/characters＇ subjectivity. The ＂over-simplified＂bright ending actually goes further than family reunion; instead,the impossibility of utterance and the failure of communication indicate Foer＇s interpretation of trauma and his doubts about empathy.

关 键 词：“9·11” 历史编纂元小说 历史书写 

分 类 号：I106[文学—世界文学]