“马原的叙述圈套”与中国当代先锋小说的“虚构”  

“Ma Yuan's Narrative Trick” and the Fictionality in Contemporary Chinese Avant-Garde Fiction

作　　者：姜玉琴 

机构地区：[1]上海外国语大学文学研究院

出　　处：《中国比较文学》2017年第4期59-65,共7页Comparative Literature in China

摘　　要：马原的《虚构》在1986年发表以后,围绕着该小说构建起来的与传统现实主义小说迥然不同的叙事手法,敏感的研究者将之冠名为"马原的叙述圈套"。而且自此以后,这个与马原有关的"叙述圈套"成了喻指当代先锋小说艺术形式的专有名词。现在,这个术语已经俨然成为当代先锋小说的一个概念范畴和理论术语,但是研究界迄今为止并未对这个概念予以辨析与总结。本文试图从"虚构"的角度对"马原的叙述圈套"的来龙去脉做出一个梳理和解释。这个阐释和梳理的过程,也就是对当代先锋小说叙述话语体系的阐释和梳理过程。After the publication of Ma Yuan＇s short fiction of ＂The Fictional＂ in 1986, ＂Ma Yuan＇s narrative trick＂ is designated by sensitive critics to those that deploy entirely different literary narrative strategy from the conventionals. Since then, ＂Ma Yuan＇s narra- tive trick＂ becomes a proper noun that refers to the artistic form of contemporary avant- garde fiction. At present, the phrase ＂Ma Yuan＇s narrative trick＂ is dignified as a theoreti- cal term and concept. Nonetheless, no one has ever discussed it so far. The author of the present essay will discuss it by a brief survey of its origin and development from a perspec- tive of fictionality. And this is also an elaboration of the terminology employed in Chinese contemporary avant-garde fiction.

关 键 词：中国当代先锋小说 马原的叙述圈套 虚构 

分 类 号：I207.42[文学—中国文学]